Belle

Describing the lead star of Beauty and the Beast, Evans said, "We all know Emma as Emma, a strong woman, she has a voice, she uses it very effectively and I admire her for that. She's brought some of that to Belle. She's not just a Disney princess, she's more than a Disney princess, and she has a beautiful sensitive side to her. She's quite delicate to look at, but she's not at all."

The actor who portrayed the iconic Vlad III Țepeș in Dracula Untold added, "She's a really strong, feisty woman and we have some fantastic scenes in the film. I was making her laugh more than she should have been laughing."

Emma Watson and Malala Yousafzai

Princess Emma served on a jury to select the 2004 teen-aged film-makers' First
Light Film Awards. The ceremony held in London's Leicester Square. Other
jurors included Pierce Brosnan, Kenneth Branagh, and Samantha Morton.



Emma Watson and Malala Yousafzai: 'The definition of feminism is equality'

Supergirl Villain Red Tornado

I look forward to seeing this film. It's been a long wait since the first one.



See First Look at ‘Supergirl’ Villain Red Tornado | Rapid News Network

Zooey Deschanel

Zooey Claire Deschanel, born January 17, 1980, is an American actress and singer-songwriter. In 1999, Deschanel made her film debut in Mumford, followed by her breakout role as Anita Miller in Cameron Crowe's 2000 semi-autobiographical film Almost Famous. Deschanel soon became known for her deadpan comedy and roles in films such as The Good Girl (2002), The New Guy (2002), Elf (2003), The Hitchhiker's Guide to the Galaxy (2005), Failure to Launch (2006), Bridge to Terabithia (2007), Yes Man (2008), and (500) Days of Summer (2009).  She has portrayed the role of Jessica Day on the Fox comedy series New Girl since 2011, for which she has received an  Emmy Award nomination and three Golden Globe Award nominations.



Zooey Deschanel - Best Dresses & Outfits (via @Grazia_Live)

Valkyrie

The scene in 1992: a fitting at Calvin Klein, where Nadja Auermann, a 6-foot fashion Valkyrie, was trying on the nude-toned slip dress she was to model on the Klein runway. 

“She totally filled it out in this voluptuous way,” recalled Nian Fish, whose job as creative director of the KCD public-relations agency involved overseeing the proceedings. 

An instant later, a scrap of a girl emerged from behind the racks to shimmy into the same dress. “It was falling away from her body,” Fish said. “We put sandals on her, and the whole silhouette changed.” 

 The girl was Kate Moss, and her fragile air heralded the sea change that would do away with the excesses of the 1980s in favor of a stripped-down and louche approach to dress that would define the new decade.

White Rose

In LADY RAWHIDE #1, the masked heroine faces not only the corrupt forces of the government - bent on intimidating the populace through privation and cruelty, but also a new team of vigilantes known as the Sisters of the White Rose.  The Sisters, inspired by the legends of Zorro and Lady Rawhide, have taken up the struggle against tyranny.  While Lady Rawhide supports their goals, she cannot condone their bloody methods and finds herself facing off against her own devotees!

"Lady Rawhide is a thief, a bandit, a rogue," explains Eric Trautmann, writer of the five-part miniseries.  "But she exists in a time and place where, as a woman, society has strictly defined what her behaviour should be.  Her vigilante, Robin Hood-esque actions are subversive, and her overtly flamboyant costuming rejects those social conventions.  She's driven by a desire to control her environment on her terms… and society's encumbrances be damned."

Humid

Flamenco diva Soledad Barrio is the only woman onstage this time. Her company, Noche Flamenca, is halfway through its latest run at the Lucille Lortel Theatre, and hulking male figures surround her with their shadows.

The male singers are hoarse as if from breathing dust, the guitarists focused and alert, and the male dancers are tense, their heels striking the floor.

The atmosphere seems humid with their sweat and desperation. Clearly terrible things have happened: Lovers have been untrue; money has run out; people have been murdered. And worse can be expected. Flamenco thrives on such intimations of tragedy, expressing red streams of emotion.